No Doubt

February 2, 2012

At Zuni: We borrowed a clutch of neighbor kids and went hiking in the windblown sand south of the pueblo. The kids were itchy and wild, flinging themselves off the red dunes, playing cowboys and Indians—funny, given that they were all Indians.

One of the adults, a fast hiker, disappeared for awhile. We wondered aloud, “Where’s Andy?” Small Brandon said seriously, “Prob’ly those Indians got him.”

*

Feel Any Different?

November 25, 2011

Among the lifts and holts of sandstone in the beaten, overgrazed terrain west of Albuquerque, overrun for centuries by sheep, cattle, Spaniards, Navajos, soldiers, ranchers and uranium prospectors, in the plumb middle of nowhere, we came upon an enormous galvanized bolt sticking out of the ground.

Pat said it held the universe together. With a little work, feeling like King Arthur, I pulled it out.

*

Lowriders

August 12, 2011

Jemez foothills in thunder season. A rattler was getting the heck out of there. A million millipedes the color of violins were footing it furiously, looking like baby snakes.

Jan said, “It’s the crawliest day I’ve seen in a long time.”*

Vibes y Víbora

August 6, 2011

Foothills of the Nacimientos: a Western Diamondback was stretched in the morning sun. It coiled and cocked only when I shouted for the other hikers. Snakes are deaf, so it must have felt the vibration of my shout.

Posed, rigid, it never moved. John the fiddler said, “It’s a musical clef.”

*

What Child Played Here?

July 29, 2011

In the remote Pecos I found a big marble from the 30s: white-and-butterscotch glass, battered and frost-spalled, buried in dirt. It appeared to have been thrown off a mesa.

The inexplicable things one finds in the wilderness! I assume it had lain in the dirt for as many years as its age: seventy or eighty.

*

Rain in the Desert

July 24, 2011

Slow, huge thunderheads.

Rain had washed everything, as though it had doused the desert with a gigantic fire hose. The daisies’ faces were plastered to the ground.

A pretty mano of pink granite. Where it lay was wilder than when it was made by an Archaic hunter-gatherer, probably a woman: only the rare hiker goes there now. The mano had been looking at the sky for two thousand years, at least. I admired it, then left it to its next eons of quiet and space and rain.

*

Tripod Hike

June 19, 2011

In the Jemez Mountains we hiked among the Tent Rocks: eerie, beautiful. Pink-white ashy pumice forms teepees, minarets, cupolas, gables, totem poles, shrines—their bases scalloped like coconut-cream popsicles, their tops jagged as blades. Don’t slide off; by the time you got to the bottom you’d be, not just dead, but completely skinned by volcanic glass. As we crept along the steep sides of the hills each of us touched the slope with one hand.

The ash is full of obsidian, Apache Tears.

*

Dancing in Two Worlds

May 15, 2011

In the Guadalupe Box area of the Jemez Mountains, on a boulder fallen from the sheer rhyolite cliffs, the five-foot-tall petroglyph of an eagle dancer.

Compared to the most ancient spirals and suns the work looks recent, but “recent” is relative: These mesas were refuges for the Pueblos when, ten years after their successful 1680 revolt, the conquistadores marched north from El Paso to retake New Spain.

Smudged drawing from my pocket notes. Those feet: one human, one an eagle’s.

*

Old Sun

May 5, 2011

Peralta Canyon, Jemez: pictographs in red ochre. Finger marks, in groups along ridges of rock next to the creek; one faint handprint; stars, turtles, and this pretty sun face.

Unlike those of the classic Zia symbol, all its rays are of equal length. The slanted ones may be feathers. It had been painted with a finger, and seemed to be subtly smiling.

*


Lightning, Wood and Iron

April 15, 2011

In the cobble hills above the Rio Puerco. Rain, snow, thunder. I was afraid of lightning, but Jan sheltered calmly under a juniper that bore the black scars of a previous strike. The wind smelled of wet stone.

In the sand lay an iron axehead, its handle long ago lost to weather. From the eighteen-eighties, maybe. The edge had a graceful worn curve, and the splayed butt showed it had been used as a wedge to split firewood.

*

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