You’ve evoked an imaginary world. You want the speech of its denizens to sound human and true…but if you use contemporary slang the Norns sound like Valley Girls. What now?

Here’s a solution:

*

*

…..“It hums so loud, Kat. I can’t not hear it.”
…..“Is—is it death?”
…..“It’s greater than death.”
…..I tried to think of something greater than death, and could not.

……………………………Listening at the Gate

*

In dialogue, the speakers use contractions: can’t, it’s. But the in the text of the book proper, the matrix, words are spelled out in full: could not.

Subtle. Simple. And it works.

*

Honey in the Rock

January 12, 2010


On archaeological field survey: way to hellandgone New Mexico, thirty miles of washboard dirt road on land so overgrazed it was “cow burnt.” A cold day.

A wide, empty valley fissured by new erosion, arroyos thirty feet deep. On a low volcanic promontory, the scattered stones of an Archaic site like tossed newspapers in a messy room. There was a “kitchen”—a cluster of sandstone slabs—and in the middle of them was a worn grinding stone, a metate.

It was hexagonal. None of us had seen that before. Archaic, therefore thousands of years old—but hexagonal?

In this desert land, wild honeycomb would have been almost the only sweetness.

Basics

January 8, 2010


In the chaotic changes of our lives, it’s too easy to come adrift from the slow, unpretentious urges that are the reason for art in the first place. To remember those urges, and to serve them, I’ve never found a better tool than a sketchbook and a very black pen.

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