In the Mexican state of Oaxaca, thirteen indigenous languages are spoken. (This in addition to Spanish.)

In Oaxaca city, working with a group of preschool teachers who were making handmade readers for their students, we posed a question: How, in your various languages, would you express quantity: words like “lots,” “a few,” “some,” “a bunch”?

They grinned and asked us back: What are you referring to? Because in our languages it depends whether you’re talking about a lot/few/some/bunch of:

Long, skinny objects

Round objects

Animals

Fingers

Stuff that is neither close nor far away

Things we used to have

Things we might have someday

and so on.

I was humbled. Until then I had felt smug about the precision of my prose.

*

For more on Teaching and Speaking, click here.

Why Speculative Fiction?

December 26, 2009

“If you ask: Why spend time on a writer of escape literature? please consider for a moment the position that the literature of fantasy and science fiction provides more direct functional access to reality than any other modern work of the intellect. When experience is rendered ineffable by a rate of change that undermines the meanings of language, a literature that has evolved to speak out from the middle of the waterfall of ideas can continue to engage and to convey the most important meanings. And this is not a new discovery. The oldest roots and origins of literature, the epics of Gilgamesh and Innana, the Odyssey, the Iliad, all are either fantasy, if you do not believe in the Gods, or science fiction, if you do.”

Margot Adler, Heretic’s Heart: A Journey Through Spirit and Revolution

For more on Speculative Fiction, click here.

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